Tarkovsky. Chronicle

“Poetic cinema” — the director who changed the art of film. Seven films, each of them a universe.

Tarkovsky. Chronicle

Filmography

About the director

A poet of the screen. A seer of cinema.

Andrei Arsenyevich Tarkovsky (4 April 1932 — 29 December 1986) was a Soviet and Russian film director and screenwriter. One of the most significant and influential directors in the history of world cinema.

He was born into the family of the poet Arseny Tarkovsky and the actress Maria Vishnyakova. He graduated from VGIK in 1960. Even his diploma work, “The Steamroller and the Violin”, was awarded a prize at the New York film festival.

In his short career he made only seven feature films, each of which became an event of world culture. His directorial style is marked by long slow shots, metaphorical imagery and a fusion of real and unreal space.

He spent the last years of his life in emigration, in Italy and Sweden. He died of lung cancer in Paris and is buried at the Russian cemetery of Sainte-Geneviève-des-Bois.

Place of birth
Zavrazhye, Ivanovo Region
Years of activity
1958 — 1986
Education
VGIK, Mikhail Romm’s workshop
People’s Artist of the RSFSR
1980

Seven films. Seven worlds.

The complete directorial filmography of Andrei Tarkovsky, 1962–1986

Still from “Ivan’s Childhood” 1962

Ivan’s Childhood

Debut film. Golden Lion of the Venice Film Festival. War seen through the eyes of a twelve-year-old boy on reconnaissance.

Watch
Still from “Andrei Rublev” 1966

Andrei Rublev

An epic about the life of a 15th-century icon painter. A film about the nature of creativity and the artist’s spiritual resistance.

Watch
Still from “Solaris” 1972

Solaris

An adaptation of Stanisław Lem. A philosophical parable about memory, guilt and the nature of human consciousness.

Watch
Still from “Mirror” 1975

Mirror

An autobiographical film. A stream of consciousness woven from memories, dreams and documentary footage.

Watch
Still from “Stalker” 1979

Stalker

Based on the Strugatsky brothers’ “Roadside Picnic”. A journey through the Zone to a mysterious Room.

Watch
Still from “Nostalghia” 1983

Nostalghia

His first Italian film. A meditation on homesickness and the impossibility of returning home.

Watch
Still from “The Sacrifice” 1986

The Sacrifice

His last film. Grand Prix, Jury Prize, FIPRESCI and Ecumenical Jury prizes of the Cannes Film Festival.

Watch

Documentary and short films by the director

Watch all
I believe the aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.
— Lectures on film directing, 1981

Screenings and events

Upcoming events

Memorial day

Conference “The Poetics of Tarkovsky Today” and an evening screening of “Stalker” in a 4K digital restoration.

Sculpting in time

A special screening of “Stalker” introduced by Gosfilmofond film scholars. Grand Hall.

All events